{"id":1784,"date":"2018-04-20T20:08:42","date_gmt":"2018-04-21T03:08:42","guid":{"rendered":"http:\/\/www.telyas.com\/wordpress\/?p=1784"},"modified":"2018-04-20T20:08:42","modified_gmt":"2018-04-21T03:08:42","slug":"hedda-gabler-%e3%83%98%e3%83%83%e3%83%80%e3%80%80%e3%82%ac%e3%83%96%e3%83%a9%e3%83%bc","status":"publish","type":"post","link":"https:\/\/www.telyas.com\/wordpress\/2018\/04\/20\/hedda-gabler-%e3%83%98%e3%83%83%e3%83%80%e3%80%80%e3%82%ac%e3%83%96%e3%83%a9%e3%83%bc\/","title":{"rendered":"Hedda Gabler &#8211; \u30d8\u30c3\u30c0\u3000\u30ac\u30d6\u30e9\u30fc"},"content":{"rendered":"<p>Saw yesterday the play <a href=\"http:\/\/www.bunkamura.co.jp\/cocoon\/lineup\/18_hedda.html\">Hedda Gabler<\/a>\u00a0at Bunkamura Cocoon theater.<\/p>\n<p>It has been a while since I went to see a play, especially in Japanese.<\/p>\n<p>Obviously missed a few words here and there, but luckily (?!) actors speak clearly, so it was not that difficult for me to understand.<\/p>\n<p><a href=\"http:\/\/www.a-petits-pas.net\/terajima\/column\/\">Terajima Shinobu\u00a0<\/a>was great, but also enjoyed the stage design, the See-Through Mirror which is used twice in the play. First Scene and last Suicide Scene. The colors and light coming from the windows.<\/p>\n<p>It is good to remember how a good play is much better than a movie.<\/p>\n<p>Less important to mention, I was the only foreigner in the theater, many people watched me, none approached.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Saw yesterday the play Hedda Gabler\u00a0at Bunkamura Cocoon theater. It has been a while since I went to see a play, especially in Japanese. Obviously missed a few words here and there, but luckily (?!) actors speak clearly, so it was not that difficult for me to understand. Terajima Shinobu\u00a0was great, but also enjoyed the &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.telyas.com\/wordpress\/2018\/04\/20\/hedda-gabler-%e3%83%98%e3%83%83%e3%83%80%e3%80%80%e3%82%ac%e3%83%96%e3%83%a9%e3%83%bc\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Hedda Gabler &#8211; \u30d8\u30c3\u30c0\u3000\u30ac\u30d6\u30e9\u30fc&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,17],"tags":[],"class_list":["post-1784","post","type-post","status-publish","format-standard","hentry","category-japan","category-literature"],"_links":{"self":[{"href":"https:\/\/www.telyas.com\/wordpress\/wp-json\/wp\/v2\/posts\/1784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.telyas.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.telyas.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.telyas.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.telyas.com\/wordpress\/wp-json\/wp\/v2\/comments?post=1784"}],"version-history":[{"count":1,"href":"https:\/\/www.telyas.com\/wordpress\/wp-json\/wp\/v2\/posts\/1784\/revisions"}],"predecessor-version":[{"id":1785,"href":"https:\/\/www.telyas.com\/wordpress\/wp-json\/wp\/v2\/posts\/1784\/revisions\/1785"}],"wp:attachment":[{"href":"https:\/\/www.telyas.com\/wordpress\/wp-json\/wp\/v2\/media?parent=1784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.telyas.com\/wordpress\/wp-json\/wp\/v2\/categories?post=1784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.telyas.com\/wordpress\/wp-json\/wp\/v2\/tags?post=1784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}